On Sunday, I am traveling to Morelia, Mexico for a performance collaboration at the Mexican Centre for Music and Sonic Arts (CMMAS). This performance project occurs October 10, 2014. My performance will be a collaboration with Carol Borja, Morelia-based Performance Artist and resident fellow at CMMAS. Carol invited me to collaborate and perform her adaption of Sarah Kane’s 4.48 Psychosis. Kane’s brutal text deals with clinical depression and suicide. Borja adapted the original text and produced an accompanying sound score. I am developing original choreography to be performed in tandem with the sound score inside a unique set design, informed by Borja’s ethnographic field-work in mental institutions. According to Borja, the focus of the performance is to advocate the visibility of the mentally ill minority in Mexico. The performance intentionally coincides with International Mental Health Day.
Also, I will be co-facilitating a three-day movement and dance workshop at the Alfredo Zalce Museum of Contemporary Art (MACAZ). During the workshops, we will guide participants through the choreographic process used to develop my movement for Borja’s adaption. Also, I will concentrate on teaching performance methods that I have utilized for recent site-specific productions in Cloneen, Ireland and Belgrade, Serbia.
I have had the great pleasure of working with Carol Borja for over two years. She generously joined me in Guanajuato to document the performance Los Tres Peligros (2012). In addition to her literary and performance art skills, Carol possesses a poignant graphic and photographic eye. Though we met in Mexico, we were already linked based on our mutual education at the University of Warwick. While not part of the same cohort, we both received an MA in International Performance Research.
Learn more about Carol’s work by visiting her website.